Category Archives: Comics

Comic related posts.


I’ve just finished reading Akira today, a really good comic book read in fact. It’s a pretty damn nifty sci-fi story, character driven and manages to cope with a huge cast of characters who delve into and out of the main thread. I’d recommend you read it, it’s pretty timeless considering it’s set in “the future” which isn’t seemingly that far off. It’s a good setting for the plot.

I had already watched the animated film so did know most of what to expect. They’re vastly different in scope, but the film is a nice short take on the longer book series – it was directed by Katsuhiro Otomo, the person who wrote the manga in any case, so isn’t that off the mark although obviously chopped down to essentials, with excellent action and some unique scenes and bits of it’s own.

If you have to choose one, the manga works out much better and simply isn’t as rushed.

(Some spoilers below, but not many I hope).
Continue reading Akira

Death Note

Death Note
Death Note

I’ve finally finished all 108 chapters of Death Note yesterday (borrowed from Namsoc). It is pretty good – I think well worth a read if you can enjoy the ludicrous nature of the plot. It is entertaining to see round after round of second guessing and plotting – and while it does slow down in the second half, it ends with enough closure for me – I prefer stories to arc well (and end!), and this one pulls it off mostly, with only a few only “good” sections, rather then the great examples of being simply very, very over the top which mostly happen. 🙂

Certainly I found it interesting reading the comparisons with the anime series too, which compressed much of the plot and altered little things which, while not much apart, added up into something which is likely vastly different in execution. However I still want to watch it at some point because of all the amazingly over the top notebook writing. Sadly if they remove many of the speeches and planning parts, it’d be a shame since the whole point of the manga comic was to provide space for the long monologues and speeches. It’d not have gone down badly in book form in fact, apart from seeing the characters expressions adds a lot to the pacing, and it is made more dramatic for it. Probably one of the best uses of serial comic writing I’ve read, although as I’ve said previously I need to read more.

So, go read this series if you feel like getting involved in over the top battles of will between the anti-hero and several people that try to capture him. Backstabbing, going past the moral event horizon and then some, along with murders aplenty make it a pretty morally grey series – almost no one is a sparkling example of justice. Also, at times, there are certainly a lot of coincidences (or…are they? 😉 ) but they’re played out well enough. Well worth a read and it’s pretty easy to get through if you’re not ill, since you need a clear head to make sense of it all 🙂

Reading Watchmen

I finished Watchmen today (thanks to a friend lending it to me), having already seen the film this year. I must say I’m thoroughly impressed by most of it – certainly is likely the one graphic novel worth reading if you read no others. I found it more interesting comparing bits of it to what I remember from the film – having read other posts when the film came out about the differences, I do pretty much agree – both are somewhat flawed in their ways, I think, but still highly entertaining (warning, spoilers ahead, skip to “So…” at the end to miss them all, um, and read I guess a one paragraph end. Discussing this book, well, almost anything you say would be a spoiler since it gets into the story really well really fast).

The Detail!

I loved the nuanced detail in the Watchmen graphic novel. Interlinking and overlapping narratives, lots of analogous pieces set side by side (such as the meta-comic-in-a-comic, the look at the normal lives of people in the alternative reality 1980’s and so forth work really well). You could skip the extra book material – I found it interesting to have the standard panels broken up by having book excerpts and news stories, something that would just be a boring set of strips but is fascinating to read. The film does a reasonable job of just keeping the normal comic sections, which do enough for the plot to make it comprehensible.

Certainly I’m pretty impressed by it all, enough so to write about it. You get the dealings of each person, usually in turn, little bits of detail coming forwards about the past – and frankly, the story in the present is pretty boring compared to the history presented in the book. The fall and rise of characters, their reasons for doing what they did and some very dubious actions by most of them really put into light the vigilante nature of it.

A shame the film can’t emulate most of this, although it does have a good stab at the main present-day plot.

The Ending

One way however the film is better, is it doesn’t involve psychics and alien excuses, sigh. I think the best way to describe this is, even with a big blue nuclear-accident superhero walking around, going into the realm of psychics and monsters is very, very cartoony. I guess it fits in some way (and the monologue is done much better then the film in the novel) as it is a comic (and might be just a jab at such superhero events), but is a bit like a crap punchline on an otherwise in depth joke. It was disappointing, I’d have felt disappointed reading that even not seeing the film.

I was told of this in advance, and briefly skimmed a plot synopsis, but man, it was frankly a little silly end to it all.

So, the film does end it better – a reasonable excuse for why Jon had to disappear, since he was portrayed as causing the destructions in several cities – and a better reason for the entire world to put down their nuclear missiles – ie; it isn’t just New York under attack in the film. There is a lot of detail missed out, but even with the monologue being much shorter, it still adds the mark that perhaps Adrian Veidt’s plans will not bring ever-lasting peace, and that work will have to go on.

I think the work is pretty inspiring at the end too – Super Heroes in general don’t have moral dilemmas, they simply are pretty rubbish in that regard (perhaps the most moral dilemma being “who to save and who to let die”). Therefore I am entirely enthralled by Rorschach character, and moral supremacy over even the god-like Dr Manhattan. His death was an amazing force of character. The others were all middle-ground, and seeing the “necessity” of it. I also love the hint that, even though he’s dead, his journal might just be picked up as a new story in the political newspaper he loved.

Which first?

I guess I should have read the novel first, to be honest. The film misses out, but doesn’t conflict with (most) of the backstory and extra bits in the novel, but has a better ending by far. However, the film does two things really badly away from the book (I’m just repeating this, everything I’ve read about the film pretty much says this) is that almost all the actors are terribly, terribly young (too young to be in their 40’s by far), and that Adrian Veidt is pretty much never given much backstory – he’s instantly shown as a big businessman who has that sly hint of “something’s not quite right here”. Entirely too suspicious, although the novel does give enough clues even before half way that he’s not entirely perfect, which are interesting to note later when it’s explained.


Read the novel! The film has however excellent moments (and a better ending as I’ve said), and Rorschach is portrayed by an excellent actor. I think it’s a book I’ll re-read in the future, there are bits I am sure to get more out of a second time. If you haven’t already, go check it out, certainly it won’t take too long to read, and the story is fascinating. I suppose since there are so few self-contained superhero books like this (such high quality, and surprisingly doesn’t contain sound effect captions, which is great), I won’t be picking up many comics, but some are getting more tempting now…I just need to find some recommendations 🙂