GameCity 2010 was a while back; 27th to the 30th of October. This is a late report, with all the pedantry of trying to remember things from it that are worth reporting on!
Talks, Panels and Notes
Firstly, I have done some rather lengthy notes this year. This comes from doing them on my laptop at the time; so there are quite possibly errors and it isn’t a word for word account In any case, I’ll link to the relevant ones as I go through what was fun and so forth. I didn’t get to everything though, and I can’t point to a “Calendar of events” on the GameCity website (which was at http://my.gamecity.org/events ) since it has now disappeared.
Before the Event
GameCity was generally well run and fun this year. There was no horrible Gatecrasher venues, there was most of the events up in advance of the week, although knowing about things more then a few weeks in advance is something they need to strive for On one hand I was discussing this with someone and having less people coming keeps it more low-key and more a Nottingham feel, but I opposed this and say if I want friends to come I need to show it’s worth booking travel tickets, holiday time (they have jobs!) and hotels in advance. In any case I hadn’t the nerve to get anyone outside of Nottingham to come up, more the shame to me really – some would have enjoyed it
One oddity: you could “favourite” events which seemed to put you on a list for events. Stewards were weird, so I booked everything on the first day once I got almost turned away from something. I heard some people got turned away in spite of the rooms not nearly being full too…must try harder! either first come first serve, OR pay for tickets, not a bad mix of both.
The tent was good; I never bothered with the EA side, each to his own but exercise can’t be thrown at me like that (with the full set of crass marketing too. I suppose it’s all sponsorship money though). The other side was cramped but good enough – Crysis was well laid out at the side for instance, and the projector games generally were far enough at the back to not get in the way. The other odd thing was not enough chairs and tables, especially for Gambling Lambs! It meant a lot of standing around, and put me off staying there for very long, a shame really. However what went on there was fine even if I didn’t bother with Saturday’s Mario stuff, since I wanted more indie games dammit!
Oh, and on Gambling Lambs – it was great, got to play Dixit, which is a game where you have to describe a scene in a generic storytelling fashion but not be too accurate; it’s great to play a second time once you work out actually what to do. There were other games to be had too – and David Hayward put on a brilliant Laser Trap Scene Test at Lee Rosy’s, as in any good spy flick needing lots of smoke to see lasers to disarm the bomb! I did it successfully, and was very fun!
Shame there was no Kinect or Move playable demos. I have no clue what Microsoft and Sony are doing here (apart from Sony apparently hates GameCity) I just don’t know how you can get people to buy such interactive things without being able to try them. There was the Kinect talk, which was okay, but didn’t exactly let me try it
To outline; it’s a deception and infiltration game, where you as a party guest have to mimic an NPC while performing certain tasks, while a sniper, a second player, tries to find out who you are and snipe them. As the base game mode, this is just brilliant fun in itself and I can see how it can be easily played online. Chris mentioned possible other modes, more players (multiple spies or snipers, working in teams even) and other changes; well worth looking out for. Gets the “Game of GameCity” award from me!
Jonathan Blow had a double act; a nice sum up of Braid’s design, and his new game The Witness which looks interesting, but I hope doesn’t have too many tutorials; it could get annoying. Still, he’s someone you could rely on to really polish and make a very strong game, which is what I’m looking forward to.
Comedy and Music
There was an evening of Comedy by OneLifeLeft; the jokes were soemtimes groan worthy from the presenters, but still damn enjoyable and fun (although Ste sure is one who does very harsh critical humour!); they should think more highly of themselves for doing it. The comedians were a fine lot; some geeky stuff, some game related material, and one comedian who I’ve seen before at the Fringe (a shame; since I’ve heard some of his stuff before obviously). Well worth attending, had me in fits I’d give it 7 out of 10.
The music evening in the church was good pretty much because the composer James Hannigan did Red Alert 3’s main theme “Soviet March” – and it was done better live with the main part being sung by a woman then the theme in game! (I wish I could have recorded it!). The spy music from Evil Genius was good too – the rest, well, I’ll be frank and say that without them telling us what games they were from, which they didn’t, I had no clue if the tracks were Harry Potter, Lord of the Rings, or any number of other different orchestral soundtracks he’s done – a shame really, since some were pretty fun to listen to. There was only the Pinewood Singers in attendance; not a full orchestra, which worked well given it was a church.
Retro Remakes, History and Parks
Finally, there was a good panel on retro remakes, the only thing that could have improved it was explaining what a remake was and giving some examples then and there. Coupled to the old stuff side is a panel I attended on game preservation, which sadly lacked the major major problem now occurring: DRM. The British Library might want to get a copy of every game made, but it’ll be useless if the consoles and platforms they run on break isn’t it?
Also an odd talk was done by Keita Takahashi who is designing a park for the nearby to me Woodthorpe Park; I’m looking forward to it, but I’ve no idea if any of the designs will actually be completed!
On the indie side was a good panel called “What’s the Point?“; a shame it was over lunch (like the preservation panel) since it was harder to take notes, but in essence it was good to hear the two sides to working, what indie is, about game jams and other things. I did get to play several indie games too – apart from Spy Party, there was Ben Bradly’s Substream, much improved from GameCityNights, and I talked to the creator of VVVVVV a bit too (and the musician too), who are both totally cool dudes. I aim to play more VVVVVV – now I’ve finished some other games
The last thing really to note was the Vision Statement by Iain Simons – good points to note, he wants to do more GameCity and game stuff, but wants nothing to do with Sonys kind of marketing. It was a rather nice thing to see him explain about it and name some names, and I fully agree about many other things he went into detail – always needing the newest stuff, interactive entertainment and “now being mainstream”.
I missed several things however – the music of Limbo, an indie game producer from somewhere, and the morning panels at breakfast – I felt rather ill so got up late every day sadly – it wasn’t too convenient to get there, but sounded interesting.
So overall it was a lot more fun then last year in most places, although it felt more empty with much less to do at times, mainly due to scheduling no doubt. I say bring on next year with agusto, like I said, hopefully with some forewarning about what is going on before the month it is on